Meet the Artists

  Traci  Hoveskeland  first laid hands on the cello when she entered the Port Angeles public schools music program at ten years old. She quickly attracted the attention of many gifted educators only to leave Port Angeles via scholarship to Western Washington University where she earned a Bachelor of Arts degree with a major in music.

            Traci first studied with Walter Gray, a founding member of the Kronos string quartet who now plays with the Seattle Symphony, and later studied with Barton Frank, a Piatigorsky prodigy and principal cello of the National Symphony at 19. Barton became one of Traci’s greatest influences.  Traci has performed for numerous Broadway musicals as principal cellist in the Paramount Theater and the 5th Avenue theaters in Seattle. She has performed Titanic, Martin Gerre, the Sound of Music, and backed up Tony Curtis, Richard Chamberlain, and Patty Lapone in the process. Her reputation as a chamber musician has mandated performances across the USA, Europe, and Mexico. As a recording artist she appears in genres from rock to classical with Grammy Award winning artists. She also is the cellist with the critically acclaimed “Tangoheart” and the all female new music ensemble “Sorrelle.” Traci has released four albums with the Bottom Line Duo and has a fifth in the works.

   Spencer Hoveskeland  first laid hands not on the bass, but on the cello when he entered the Port Angeles public schools music program at ten years old. He also played guitar in local pop groups and played bass in the school jazz band.

            Spencer followed Traci, closely, to college where he studied with Chuck Israel's of Bill Evans fame. He began his classical studies with Barton Frank, Peter Marsh, Walter Gray and studied phrasing, solfege, and music engraving with Art Bloom, founding clarinetist of the Dorian Wind Quintet.  Spencer has performed for numerous Broadway musicals as bassist in the Seattle’s theaters.  Fiddler on the Roof with Theodore Bikel, Cinderella with Ertha Kitt, and Chicago with Tom Wopat were memorable. As an orchestral player he was principal bass of the Whatcom Symphony for six years, played for the Bolshoi Ballet when in Seattle, and appears on the orchestral soundtrack for the films “About Schmidt,” “Woolly Boys,”  “Man on Fire,” “Blade the Trinity”  and “Driven.” With an electric bass he occasionally accompanies the screaming guitars of famous rock stars.